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Barry Can’t Swim: “Producers can often overthink – I’m at my best and most creative when I’m underthinking”
Native Instruments: “We had to modernise our architecture… We’re now more aligned in new ways to integrate our hardware and software”
AFROJACK: “It’s possible to achieve success in the music industry if you abide by certain disciplines and rules”
The Scarlett 4th Gen story: Focusrite’s journey from George Martin’s AIR to bedroom studios everywhere
Mac DeMarco: “I like to respect the way that recordings come to be”
IK Multimedia’s UNO Synth Pro X is what the synth community deserved from the start
The Importance Of Being Loud: Ohma is here to change the microphone as you know it
Light Place, Right Time: LP Giobbi is a beacon for budding artists
The music production industry has a gender problem – here’s how we can fix it
Is Ableton Push 3 really a timeless instrument for a new generation?
How Avalon Emerson found her voice through the charm of DIY music-making: “I’m not a new artist, I’m just a new band”
Ryan Shaw, head of MasterSounds: “When you mix on a rotary, it’s an experience…like it’s your first mix at Café Mambo every single time”
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